BRIDGE OF HOPE INNOCENCE INITIATIVE

Investigating Claims of Wrongful Conviction

Investigating Claims of Wrongful Conviction

Prison exterior with a watchtower, overlaid with white diagonal lines forming a tally mark

Since 1922, 71 wrongful convictions have been documented in Australia, yet Australia has no independent body dedicated to investigating and correcting them. BOHII needed to establish itself within the growing global innocence movement and make the issue accessible beyond legal and academic circles.

MEK developed a new identity to turn a complex justice issue into a movement people could understand and engage with.

Since 1922, 71 wrongful convictions have been documented in Australia, yet Australia has no independent body dedicated to investigating and correcting them. BOHII needed to establish itself within the growing global innocence movement and make the issue accessible beyond legal and academic circles.

MEK developed a new identity to turn a complex justice issue into a movement people could understand and engage with.

Since 1922, 71 wrongful convictions have been documented in Australia, yet Australia has no independent body dedicated to investigating and correcting them. BOHII needed to establish itself within the growing global innocence movement and make the issue accessible beyond legal and academic circles.

MEK developed a new identity to turn a complex justice issue into a movement people could understand and engage with.

Since 1922, 71 wrongful convictions have been documented in Australia, yet Australia has no independent body dedicated to investigating and correcting them. BOHII needed to establish itself within the growing global innocence movement and make the issue accessible beyond legal and academic circles.

MEK developed a new identity to turn a complex justice issue into a movement people could understand and engage with.

"Bridge of Hope Innocence Initiative" wordmark beside a white tally mark logo on a black background

How do you make wrongful convictions
understood beyond the legal world?

How do you make wrongful convictions
understood beyond the legal world?

How do you make wrongful convictions understood beyond the legal world?

Wrongful conviction is a complex issue, usually understood through legal and academic language. BOHII needed to communicate the issue more broadly and establish credibility within a growing international innocence movement.

The challenge was to make the stakes immediately understandable and give people a reason to engage with the issue without reducing its complexity or seriousness.

Wrongful conviction is a complex issue, usually understood through legal and academic language. BOHII needed to communicate the issue more broadly and establish credibility within a growing international innocence movement.

The challenge was to make the stakes immediately understandable and give people a reason to engage with the issue without reducing its complexity or seriousness.

Wrongful conviction is a complex issue, usually understood through legal and academic language. BOHII needed to communicate the issue more broadly and establish credibility within a growing international innocence movement.

The challenge was to make the stakes immediately understandable and give people a reason to engage with the issue without reducing its complexity or seriousness.

Three men in shadowed portrait lighting against a black background
Prison corridor with rows of cell doors, viewed through blurred bars in the foreground

Making innocence visible

Making innocence visible

We positioned BOHII as part of something bigger than individual cases: a growing movement challenging wrongful conviction and calling for justice reform.

That thinking informed the brand strategy, narrative and identity — giving BOHII a visual language that feels collective, urgent and accessible, with enough authority to operate within the social justice community.

We positioned BOHII as part of something bigger than individual cases: a growing movement challenging wrongful conviction and calling for justice reform.

That thinking informed the brand strategy, narrative and identity — giving BOHII a visual language that feels collective, urgent and accessible, with enough authority to operate within the social justice community.

We positioned BOHII as part of something bigger than individual cases: a growing movement challenging wrongful conviction and calling for justice reform.

That thinking informed the brand strategy, narrative and identity — giving BOHII a visual language that feels collective, urgent and accessible, with enough authority to operate within the social justice community.

Grid of four logo colourways: orange, black-on-white, black, and blue, each pairing the tally mark with the wordmark
Poster with an orange border reading "Investigating Claims of Wrongful Conviction," showing the tally mark logo and body text
Letterhead, business card, and orange envelope, each printed with the Bridge of Hope Innocence Initiative logo

Every conviction leaves a mark

Every conviction
leaves a mark

The tally mark became the defining device of the identity; a visual shorthand for every wrongful conviction, and also suggesting numbers, evidence and the accumulation of cases.

A bold typographic and high contrast colour system give the identity an immediate presence. Across the identity the tally motif becomes a flexible graphic device for campaigns, stories and information, turning a serious legal issue into something more visible, accessible and recognisable.

The tally mark became the defining device of the identity; a visual shorthand for every wrongful conviction, and also suggesting numbers, evidence and the accumulation of cases.

A bold typographic and high contrast colour system give the identity an immediate presence. Across the identity the tally motif becomes a flexible graphic device for campaigns, stories and information, turning a serious legal issue into something more visible, accessible and recognisable.

The tally mark became the defining device of the identity; a visual shorthand for every wrongful conviction, and also suggesting numbers, evidence and the accumulation of cases.

A bold typographic and high contrast colour system give the identity an immediate presence. Across the identity the tally motif becomes a flexible graphic device for campaigns, stories and information, turning a serious legal issue into something more visible, accessible and recognisable.

Four presentation slides: a title slide reading "Causes and Circumstances of Wrongful Conviction," a list of causes with icons, a "Circumstances" flowchart, and a scales-of-justice icon on black
"Our Cases" page showing three case profiles — Khalid Baker, Keli Lane, and Boronika Hothnyang — each with a photo and case details

From no identity to federal parliament

From no identity to federal parliament

From no identity to
federal parliament

The identity propelled BOHII’s growth and raised its profile nationwide. The brand launch coincided with the ABC’s Exposed investigation into the Keli Lane case, helping position BOHII among leading international innocence organisations and secure representation in Australian parliament.

The result is a recognised force for justice reform.

The identity propelled BOHII’s growth and raised its profile nationwide. The brand launch coincided with the ABC’s Exposed investigation into the Keli Lane case, helping position BOHII among leading international innocence organisations and secure representation in Australian parliament.

The result is a recognised force for justice reform.

The identity propelled BOHII’s growth and raised its profile nationwide. The brand launch coincided with the ABC’s Exposed investigation into the Keli Lane case, helping position BOHII among leading international innocence organisations and secure representation in Australian parliament.

The result is a recognised force for justice reform.

Four people working around a round table in an office lined with filing folders
Group portrait of five people standing and seated in an office with city views

“We had the pleasure of working with MEK to develop our brand identity and were incredibly impressed with their work. Their attention to detail, creative thinking, and expertise was evident throughout the process, resulting in a design solution that exceeded our expectations. The identity they created is not only unique and eye-catching, but also instantly recognisable to the broader social justice community, making it a powerful asset in building awareness and support for our mission.”

“We had the pleasure of working with MEK to develop our brand identity and were incredibly impressed with their work. Their attention to detail, creative thinking, and expertise was evident throughout the process, resulting in a design solution that exceeded our expectations. The identity they created is not only unique and eye-catching, but also instantly recognisable to the broader social justice community, making it a powerful asset in building awareness and support for our mission.”

MONIQUE MOFFA, ASSISTANT PROGRAM MANAGER

MONIQUE MOFFA, ASSISTANT PROGRAM MANAGER

Strategic Scope

Brand Strategy
Brand DNA
Messaging & Positioning

Brand Story & Narrative

Stakeholder Engagement
Brand Framework Development

Creative Scope

Brand System

Visual Identity
Creative Direction
Print Design System
Brand Guidelines

Sectors

Culture

• Social Justice

UNSDGs

UN Sustainable Development Goal 10 icon — Reduced Inequalities
UN Sustainable Development Goal 16 icon — Peace, Justice and Strong Institutions

1 Tripovich St

Brunswick VIC 3056

Australia

+61 3 9969 7602

hi@mek.studio

This site was built to minimise environmental impact
through low-carbon design principles. Learn more.

We live on the unceded stolen lands of the Wurundjeri Woi Wurrung people of the Kulin nation. We recognise their continuing connection to culture, land, waters and community, and pay respects to Elders past and present. There cannot be climate justice without Indigenous justice. Always was, always will be, Aboriginal land.

© 2026 MEK STUDIO® All rights reserved.

1 Tripovich St

Brunswick VIC 3056

+61 3 9969 7602

hi@mek.studio

This site was built to minimise environmental impact through low-carbon design principles.
Learn more.

We live on the unceded stolen lands of the Wurundjeri Woi Wurrung people of the Kulin nation. We recognise their continuing connection to culture, land, waters and community, and pay respects to Elders past and present. There cannot be climate justice without Indigenous justice. Always was, always will be, Aboriginal land.

© 2026 MEK STUDIO® All rights reserved.

1 Tripovich St

Brunswick VIC 3056

+61 3 9969 7602

hi@mek.studio

This site was built to minimise environmental impact through low-carbon design principles. Learn more.

We live on the unceded stolen lands of the Wurundjeri Woi Wurrung people of the Kulin nation. We recognise their continuing connection to culture, land, waters and community, and pay respects to Elders past and present. There cannot be climate justice without Indigenous justice. Always was, always will be, Aboriginal land.

© 2026 MEK STUDIO® All rights reserved.

1 Tripovich St

Brunswick VIC 3056

Australia

+61 3 9969 7602

hi@mek.studio

This site was built to minimise environmental impact
through low-carbon design principles. Learn more.

We live on the unceded stolen lands of the Wurundjeri Woi Wurrung people of the Kulin nation. We recognise their continuing connection to culture, land, waters and community, and pay respects to Elders past and present. There cannot be climate justice without Indigenous justice. Always was, always will be, Aboriginal land.

© 2026 MEK STUDIO® All rights reserved.